Our Projects

Dramatic Reading of Oedipus the King, by Sophocles

Translated, Directed, and Facilitated Bryan Doerries

The Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.

Dramatic Reading of Antigone, by Sophocles

Translated and Directed by Bryan Doerries

Music Composed By Phil Woodmore

Antigone in Ferguson is a groundbreaking project that fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, including activists, youth, teachers, police officers, and concerned citizens from St. Louis, Missouri and New York City, culminating in powerful, healing discussions about racialized violence, police brutality, systemic oppression, gender-based violence, health inequality, and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown’s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, MO, and premiered at Normandy High School, Michael Brown’s alma mater, in September of 2016.

Dramatic Reading of Women of Trachis + Philoctetes, by Sophocles

Translated and Directed by Bryan Doerries

End of Life presents readings of ancient Greek plays in public settings and medical communities as a catalyst for facilitated discussions about challenges faced by patients, families, and health professionals today around end of life care. This unique, participatory event is intended to promote powerful, open discussion among diverse communities - public and professional - fostering compassion, cooperation, and understanding about living with chronic suffering and the mortality we all share.

Dramatic Reading of Ajax + Philoctetes, by Sophocles

Translated and Directed by Bryan Doerries

Rooted in discussions about the invisible and visible wounds of war, the company’s hallmark project is designed to increase awareness of psychological health issues, disseminate information on available resources, and foster greater community cohesion.

Dramatic Reading of Prometheus Bound, by Aeschylus

Translated and Directed by Bryan Doerries

Prometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade years, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.

Dramatic Reading of Long Day's Journey Into Night, by Eugene O'neill

Directed by Bryan Doerries

Designed to raise awareness about opiate addiction and alcohol abuse, the project is intended to promote dialogue about helping those who are struggling with addiction.

Dramatic Reading of The Suppliants, by Aeschylus

Translated and Directed by Bryan Doerries

The Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges of the current immigration crisis and its impact upon all that it touches.

Featuring a chorus of Garifuna singers, musicians, and performers from Belize, Honduras, and Guatemala

Dramatic Reading of Oedipus at Colonus, by Sophocles

The Oedipus at Colonus Project presents readings of scenes from Sophocles’ final play, Oedipus at Colonus, as catalyst for powerful, community-driven conversations about homelessness, the immigration and refugee crisis, and the challenges of eldercare during and after the pandemic.

Dramatic Reading of The Drum Major Instinct, by Dr. Martin Luther King Jr.

Directed by Bryan Doerries

Composed and Arranged by Phil Woodmore

Commissioned by BRIC, The Drum Major Instinct engages audiences in dialogue about racism, inequality, and social justice. The performance features a dramatization of Dr. Martin Luther King Jr.’s final sermon, embodied by prominent actors and supported by a large gospel choir, composed of singers, activists, police officers, and musicians from St. Louis, MO, and Brooklyn, NY.

Dramatic Reading of Tape, by Stephen Belber

Directed by Bryan Doerries

Tape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.

Dramatic Reading of Madness of Hercules, by Euripides

Translated and Directed by Bryan Doerries

Drawing from an ancient Greek tragedy about a vicious act of violence committed by an angry man with an invincible weapon, this project aims to generate powerful dialogue between concerned citizens, members of the law enforcement community, victims and perpetrators of gun violence, and the general public.

Dramatic Reading of A Streetcar Named Desire, by Tennessee Williams

Directed by Bryan Doerries

Addressing the impact of domestic violence on individuals, families, and communities, the Domestic Violence Project premiered in Maine in April 2013 and will be touring all five boroughs of New York City under the current PAIR residency.

Dramatic Reading of Eumenides, by Aeschylus

Translated and Directed by Bryan Doerries

A Collaboration with The Forum on Law, Culture, & Society at NYU School of Law

Developed with New York University’s Forum on Law, Culture, & Society, and designed as a professional development program for legal professionals, as well as for the general public, Theater of Law drives conversations about moral justice in the court system. The project is aimed at engaging audiences who have in some way been disenfranchised by the law in constructive, powerful dialogue.

Dramatic Reading of Thyestes, by Seneca

Translated and Directed by Bryan Doerries

Acts of Violence presents scenes from Seneca's Thyestes, a Roman tragedy that was written during the gruesome reign of Nero, as a catalyst for town hall discussions about the impact of political violence upon individuals, families, caregivers, health and human rights advocates, communities, and nations.

Dramatic Reading of The Book of Job, by Translated by Stephen Mitchell

Directed and Adapted by Bryan Doerries

The Book of Job Project presents dramatic readings by acclaimed actors of The Book of Job as a catalyst for powerful, guided conversations about the impact of the COVID-19 pandemic upon individuals, families, and communities. The Book of Job is an ancient Hebrew poem that timelessly explores how humans behave when faced with disaster, pestilence and injustice.

Dramatic Reading of The Investigation, by Peter Weiss

Theater of War Productions and the Museum of Jewish Heritage, in partnership with the National Yiddish Theatre Folksbiene, present readings of scenes Peter Weiss' play The Investigation, a piece of documentary theater adapted from the Frankfurt Auschwitz Trials of 1963-1965. This project centers on guided discussions about mass murder and its lasting impact upon individuals, families, communities, and countries throughout the world. Performed by a diverse cast, including international performers from communities affected by genocide, The Investigation seeks to generate powerful dialogue across cultures and communities about the human capacity for evil, as well as the systems and hierarchies that create the conditions for unthinkable violence.