About the project
Theater of War Productions in partnership with The Brooklyn Rail present:
Mothers of the Movement: Gwen Carr and Valerie Bell
A conversation with Gwen Carr—mother of Eric Garner, author of This Stops Today—and Valerie Bell—mother of Sean Bell, author of Just 23—about their tireless work as Mothers of the Movement to end police violence.
Co-hosted by Dominic Dupont and Bryan Doerries of Theater of War Productions as part of The New Social Environment’s Common Ground Series. Featuring National Student Poet of the West, Manasi Garg, reading her poem "For Tamir Rice."
My son was murdered in 2014. George Floyd was murdered in 2020. Those were not the only two murders that happened. Every time that you hear another black unarmed man being killed, shot in the back, or banged up against the sidewalk, or tased to death, you say, ‘Oh my God, that’s my son again.
Mothers of The Movement: October 15th
A conversation with Gwen Carr and Valerie Bell about their tireless work as Mothers of the Movement.
On Zoom / 2020
Watch the full event from October 15th.
Explore Projects
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Gun ViolenceHerculesDrawing from an ancient Greek tragedy about a vicious act of violence committed by an angry man with an invincible weapon, this project aims to generate powerful dialogue between concerned citizens, members of the law enforcement community, victims and perpetrators of gun violence, and the general public.
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War & Mental HealthTheater of WarRooted in discussions about the invisible and visible wounds of war, the company’s hallmark project is designed to increase awareness of psychological health issues, disseminate information on available resources, and foster greater community cohesion.
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Pandemic & Climate CrisisThe Oedipus ProjectThe Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.