About the project
Prometheus in Prison
Dramatic Reading of Prometheus Bound, by Aeschylus
Translated and Directed by Bryan Doerries
Prometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.
I think the Prometheus reading was a great training tool. Not only was it enjoyable to watch but the open discussion afterwards was great. It made a person look at the situation from several different angels besides just the custody side of the story. Many times before in my career I have tried to put myself in the offenders’ situation in terms of how I'd like to be treated and it's been difficult. This production made it very easy to do that, and all who attended should now have a better understanding of what they are going through and will give us more tools to work well with them.
About the play
-
Prometheus Bound by Aeschylus
Aeschylus’ Prometheus Bound is a play about a god who is imprisoned for stealing fire from the gods and giving it to humans. The incarcerated Prometheus admits that he willfully committed a crime and is sentenced for his actions. He is placed in extreme isolation at the end of the earth for the rest of time. Over the course of the play, Prometheus is visited by a number of characters, including friends and family. Each of these characters attempts to impart advice upon Prometheus about how he can lessen his sentence and increase his chances of being released. Increasingly enraged by each exchange, Prometheus, over the course of the play, shuts down, refusing to accept help or advice from anyone, and spends the final moments of the play shaking his fist at the sky, willfully provoking a far worse punishment than isolation.
Explore Projects
-
Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
-
Pandemic & Climate CrisisAn Enemy of The PeopleAn Enemy of the People presents acclaimed actors, public health leaders, scientists, journalists, elected officials, and local community members performing dramatic readings of scenes from Henrik Ibsen’s 1882 play An Enemy of the People to help frame powerful, guided audience discussions aimed at generating connection, understanding, compassion, moral repair, and much-needed healing. The play tells the story of a doctor who discovers the water supply in his small, rural town has been poisoned by a tannery. Despite his efforts to convey the truth to the public, the doctor fails to save his community from environmental disaster and is ultimately scapegoated for his whistleblowing. An Enemy of the People was first performed in Norway in 1882, and yet it speaks to the present moment as if it were written for our times — to the corrosive influence of power and money in politics, the distortions of the media, and the many other challenges to public health in our culture today, especially during times of crisis.
-
War & Mental HealthTheater of War: Hector, Andromache, and the Death of AstyanaxTheater of War: Hector, Andromache, and the Death of Astyanax presents live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians. The project uses ancient texts that explore and depict the dehumanization of war to create a vocabulary for openly discussing challenging and divisive subjects, with the aim of generating compassion, empathy, moral repair, understanding, and positive action.