About the project
Tape sparks discussions about consent, power dynamics, and sexual assault. These performances are designed to challenge individuals and communities to examine their own core values and pursue positive action. This project has been presented on military installations, university campuses, in shelters and in high schools.
About the play
Tape by Stephen Belber
Two best friends from high school—Jon and Vince—reunite ten years later at a motel in Michigan. Over the course of an evening, Vince pressures Jon to admit that he date-raped Amy Randall, a girl they both dated in high school, only then to reveal that he has recorded their entire conversation. Vince then uses the tape to force Jon to personally apologize to Amy that evening, after inviting her to join them for dinner. Differing memories of the event collide, and the complexities and social pressures of the relationships are revisited, in a final confrontation in which Jon, Amy, and Vince argue over the truth of what happened that night.
Domestic ViolenceDomestic Violence Project
Addressing the impact of domestic violence on individuals, families, and communities, the Domestic Violence Project premiered in Maine in April 2013 and will be touring all five boroughs of New York City under the current PAIR residency.
CorrectionsPrometheus in Prison
Prometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade years, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.
Racism & Social JusticeThe Drum Major Instinct
Commissioned by BRIC, The Drum Major Instinct engages audiences in dialogue about racism, inequality, and social justice. The performance features a dramatization of Dr. Martin Luther King Jr.’s final sermon, embodied by prominent actors and supported by a large gospel choir, composed of singers, activists, police officers, and musicians from St. Louis, MO, and Brooklyn, NY.