About the project
End of Life
Dramatic Reading of Women of Trachis + Philoctetes, by Sophocles
Translated and Directed by Bryan Doerries
End of Life presents readings of ancient Greek plays in public settings and medical communities as a catalyst for facilitated discussions about challenges faced by patients, families, and health professionals today around end of life care. This unique, participatory event is intended to promote powerful, open discussion among diverse communities - public and professional - fostering compassion, cooperation, and understanding about living with chronic suffering and the mortality we all share.
I think we all have to acknowledge that dying, the moment of death, is always going to be fearful and mysterious. And no matter how much you believe in the afterlife, or in rebirth, or the peace of the grave, everybody dies. And it’s okay that it happens. But there is no way that death isn’t going to rupture your reality. And that calls into question what it means to be you. What does it mean for all of us to be mortal? And what does it mean to be a doctor when everyones mortal? Facing those questions is not necessarily comfortable.
About the plays
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Women of Trachis by Sophocles
Sophocles’ Women of Trachis, tells the story of Heracles—the strongest of all Greek heroes—who has been unintentionally poisoned by his wife, Deineira, after she discovers that he has fallen in love with a younger woman. In an attempt to win back her husband’s affection mistakes a lethal toxin, which was given to her by a dying centaur years ago for a love potion. Deineira sends him a robe dipped in the liquid. When Heracles puts on the robe it immediately eats through his skin, muscle tissue, down through his bones to the marrow. Heracles falls to the ground, clutching his sides, crying out in pain, calling for his teenage son, Hyllus, to come to his aid and to help him put an end to the seemingly endless waves of pain.
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Philoctetes by Sophocles
Sophocles’ Philoctetes tells the story of decorated warrior who is abandoned on a deserted island because of mysterious chronic illness that he contracts on the way to the Trojan War. Nine years later, the Greeks learn from an oracle that in order to win the war they must rescue him from the island. When they finally come for him, the wounded warrior must overcome nine long years of festering resentment and shame in order to accept help from the very men who betrayed him.
End of Life Highlights
Charles S. Dutton as Hercules in Women of Trachis
Harvard Medical School / 2010
Screams from Greek stage aim for doctors’ hearts Drama animates issues in Harvard ethics course
Harvard Medical School / 2010
Read the article on Boston.com
Theater of the mind, heart and spirit
Harvard Medical School / 2010
End of Life - Women of Trachis Reading │ IOM Committee on Approaching Death
Chautauqua Institution CHQ Health Care Forum / 2013
Explore Projects
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Caregiving & DeathTheater of War FrontlineTheater of War Frontline is an innovative project—developed by Theater of War Productions, the Johns Hopkins Berman Institute of Bioethics and the Johns Hopkins Program in Arts, Humanities & Health—that presents dramatic readings by acclaimed actors of scenes from ancient Greek plays for audiences of frontline medical professionals to open up powerful dialogue about difficult subjects, fostering a sense of connection and promoting health-seeking behavior. By presenting ancient plays to doctors, nurses, EMTs, respiratory therapists, and the frontline community about emotionally-charged, ethically complex situations, Theater of War Frontline aims to create a brave space for open, candid dialogue and reflection, fostering compassion, a renewed sense of community, and positive action.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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Racialized Police ViolenceAntigone in FergusonAntigone in Ferguson is a groundbreaking project that fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, including activists, youth, teachers, police officers, and concerned citizens from St. Louis, Missouri and New York City, culminating in powerful, healing discussions about racialized violence, police brutality, systemic oppression, gender-based violence, health inequality, and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown’s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, MO, and premiered at Normandy High School, Michael Brown’s alma mater, in September of 2016.