The King Lear Project at Queensbridge Community Center

Theater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.

This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).

Co-presented by Theater of War Productions and Toronto International Festival of Authors.

This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.

Theater of War Frontline is an innovative project—developed by Theater of War Productions, the Johns Hopkins Berman Institute of Bioethics and the Johns Hopkins Program in Arts, Humanities & Health—that presents dramatic readings by acclaimed actors of scenes from ancient Greek plays for audiences of frontline medical professionals to open up powerful dialogue about difficult subjects, fostering a sense of connection and promoting health-seeking behavior. By presenting ancient plays to doctors, nurses, EMTs, respiratory therapists, and the frontline community about emotionally-charged, ethically complex situations, Theater of War Frontline aims to create a brave space for open, candid dialogue and reflection, fostering compassion, a renewed sense of community, and positive action.

Developed with New York University’s Forum on Law, Culture, & Society, and designed as a professional development program for legal professionals, as well as for the general public, Theater of Law drives conversations about moral justice in the court system. The project is aimed at engaging audiences who have in some way been disenfranchised by the law in constructive, powerful dialogue.