Open to Public
TAPE, Kenyon College
Thu, Feb 23.2017
About the play
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Tape by Stephen Belber
Two best friends from high school—Jon and Vince—reunite ten years later at a motel in Michigan. Over the course of an evening, Vince pressures Jon to admit that he date-raped Amy Randall, a girl they both dated in high school, only then to reveal that he has recorded their entire conversation. Vince then uses the tape to force Jon to personally apologize to Amy that evening, after inviting her to join them for dinner. Differing memories of the event collide, and the complexities and social pressures of the relationships are revisited, in a final confrontation in which Jon, Amy, and Vince argue over the truth of what happened that night.
Explore Projects
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Consent & Sexual ViolenceTapeTape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.
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RacismThe Drum Major InstinctCommissioned by BRIC, The Drum Major Instinct engages audiences in dialogue about racism and inequality. The performance features a dramatization of Dr. Martin Luther King Jr.’s final sermon, embodied by prominent actors and supported by a large gospel choir, composed of singers, activists, police officers, and musicians from St. Louis, MO, and Brooklyn, NY.
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Pandemic & Climate CrisisAn Enemy of The PeopleAn Enemy of the People presents acclaimed actors, public health leaders, scientists, journalists, elected officials, and local community members performing dramatic readings of scenes from Henrik Ibsen’s 1882 play An Enemy of the People to help frame powerful, guided audience discussions aimed at generating connection, understanding, compassion, moral repair, and much-needed healing. The play tells the story of a doctor who discovers the water supply in his small, rural town has been poisoned by a tannery. Despite his efforts to convey the truth to the public, the doctor fails to save his community from environmental disaster and is ultimately scapegoated for his whistleblowing. An Enemy of the People was first performed in Norway in 1882, and yet it speaks to the present moment as if it were written for our times — to the corrosive influence of power and money in politics, the distortions of the media, and the many other challenges to public health in our culture today, especially during times of crisis.