Open to Public
American Correctional Association Conference
Tue, Aug 03.2010
About the play
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Prometheus Bound by Aeschylus
Aeschylus’ Prometheus Bound is a play about a god who is imprisoned for stealing fire from the gods and giving it to humans. The incarcerated Prometheus admits that he willfully committed a crime and is sentenced for his actions. He is placed in extreme isolation at the end of the earth for the rest of time. Over the course of the play, Prometheus is visited by a number of characters, including friends and family. Each of these characters attempts to impart advice upon Prometheus about how he can lessen his sentence and increase his chances of being released. Increasingly enraged by each exchange, Prometheus, over the course of the play, shuts down, refusing to accept help or advice from anyone, and spends the final moments of the play shaking his fist at the sky, willfully provoking a far worse punishment than isolation.
Explore Projects
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Racialized Police ViolenceAntigone in FergusonAntigone in Ferguson is a groundbreaking project that fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, including activists, youth, teachers, police officers, and concerned citizens from St. Louis, Missouri and New York City, culminating in powerful, healing discussions about racialized violence, police brutality, systemic oppression, gender-based violence, health inequality, and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown’s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, MO, and premiered at Normandy High School, Michael Brown’s alma mater, in September of 2016.
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Caregiving & DeathThe Susie King Taylor ProjectA dramatic reading of Susie King Taylor's memoir to help frame powerful, guided discussions about challenges faced by Nurses and Veterans.
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War & Mental HealthTheater of War: Hector, Andromache, and the Death of AstyanaxTheater of War: Hector, Andromache, and the Death of Astyanax presents live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians. The project uses ancient texts that explore and depict the dehumanization of war to create a vocabulary for openly discussing challenging and divisive subjects, with the aim of generating compassion, empathy, moral repair, understanding, and positive action.