Open to Public / New York City Public Artist In Residence
The Drum Major Instinct
Directed by Bryan Doerries
Composed and Arranged by Phil Woodmore
Sun, Feb 04.2018
About the play
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The Drum Major Instinct by Dr. Martin Luther King Jr.
On February 4, 1968, Martin Luther King, Jr. delivered this sermon at the Ebenezer Baptist Church in Atlanta, GA. In it, King speaks to his congregation about the destructive forces of “the drum major instinct,” defined as the desire to be first, to be recognized, and to receive distinction. This instinct, according to King, leads to “the most tragic expressions of man's inhumanity to man,” including white supremacy, violence, consumerism, and unjust wars. King challenges his congregants and the world to harness this “drum major instinct” for good, to be first in love, first in righteousness, first in generosity, first in justice, and above all, first in service to others.
Explore Projects
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Pandemic & Climate CrisisThe Oedipus ProjectThe Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.
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Addiction & Substance AbuseRum and VodkaThis project presents a one-man Irish play about a 24-year-old whose life is coming apart, due to drinking, in order to provoke discussions about alcoholism and addiction within diverse communities.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.