Invitation Only
Kenyon Virtual Residency Workshop
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Wed, Feb 10.2021
On the Radio!
For more than a decade, the social impact company Theater of War Productions has performed ancient plays and other seminal texts in unlikely places—such as hospitals, military bases, homeless shelters, prisons, houses of worship, and public housing developments—to catalyze and frame crucial conversations about issues of public health and social justice. In this workshop session—open to Kenyon students, faculty, staff, and residents of Knox County—Theater of War Productions will present a scene from Bryan Doerries’ new translation of Sophocles’ Oedipus at Colonus in order to frame a discussion about the how the company’s model works and how it might be applied to specific issues that impact people living in Gambier and Mount Vernon. The workshop will begin with the reading—featuring the actors David Zayas (Dexter), Moses Ingram (The Queen's Gambit), Marjolaine Goldsmith (Afterwords), and Frankie Faison (The Wire)—followed by a guided audience discussion, focussing on the identification of potential issues, texts, and collaborators for the development of a new project, which Theater of War productions will present on Zoom in late-March.
Cast Members
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Moses Ingram
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Marjolaine Goldsmith
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Frankie Faison
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David Zayas
Residency Partner
Explore Projects
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RacismAntigone in SavannahDramatic readings of Sophocles’ Antigone with live music to frame powerful dialogue about honoring the dead and healing historical wounds.
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RacismThe Drum Major InstinctCommissioned by BRIC, The Drum Major Instinct engages audiences in dialogue about racism and inequality. The performance features a dramatization of Dr. Martin Luther King Jr.’s final sermon, embodied by prominent actors and supported by a large gospel choir, composed of singers, activists, police officers, and musicians from St. Louis, MO, and Brooklyn, NY.
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Refugees & ImmigrationThe Suppliants ProjectThe Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges and impact of war, migration, and seeking asylum.