Open to Public
Cambridge Health Alliance
Mon, Oct 04.2010
About the plays
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Women of Trachis by Sophocles
Sophocles’ Women of Trachis, tells the story of Heracles—the strongest of all Greek heroes—who has been unintentionally poisoned by his wife, Deineira, after she discovers that he has fallen in love with a younger woman. In an attempt to win back her husband’s affection mistakes a lethal toxin, which was given to her by a dying centaur years ago for a love potion. Deineira sends him a robe dipped in the liquid. When Heracles puts on the robe it immediately eats through his skin, muscle tissue, down through his bones to the marrow. Heracles falls to the ground, clutching his sides, crying out in pain, calling for his teenage son, Hyllus, to come to his aid and to help him put an end to the seemingly endless waves of pain.
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Philoctetes by Sophocles
Sophocles’ Philoctetes tells the story of decorated warrior who is abandoned on a deserted island because of mysterious chronic illness that he contracts on the way to the Trojan War. Nine years later, the Greeks learn from an oracle that in order to win the war they must rescue him from the island. When they finally come for him, the wounded warrior must overcome nine long years of festering resentment and shame in order to accept help from the very men who betrayed him.
Explore Projects
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Pandemic & Climate CrisisThe Oedipus ProjectThe Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global discussions about the climate crisis, ecological disaster, ethical leadership, and environmental justice. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.
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War & Mental HealthTheater of War: Hector, Andromache, and the Death of AstyanaxTheater of War: Hector, Andromache, and the Death of Astyanax presents live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians. The project uses ancient texts that explore and depict the dehumanization of war to create a vocabulary for openly discussing challenging and divisive subjects, with the aim of generating compassion, empathy, moral repair, understanding, and positive action.
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Pandemic & Climate CrisisAn Enemy of The PeopleAn Enemy of the People presents acclaimed actors, public health leaders, scientists, journalists, elected officials, and local community members performing dramatic readings of scenes from Henrik Ibsen’s 1882 play An Enemy of the People to help frame powerful, guided audience discussions aimed at generating connection, understanding, compassion, moral repair, and much-needed healing. The play tells the story of a doctor who discovers the water supply in his small, rural town has been poisoned by a tannery. Despite his efforts to convey the truth to the public, the doctor fails to save his community from environmental disaster and is ultimately scapegoated for his whistleblowing. An Enemy of the People was first performed in Norway in 1882, and yet it speaks to the present moment as if it were written for our times — to the corrosive influence of power and money in politics, the distortions of the media, and the many other challenges to public health in our culture today, especially during times of crisis.