Invitation Only
Addiction Performance Project - Huntsville, Alabama
This event has ended.
View upcoming events.
The Addiction Performance Project presents dramatic readings of Act Three of Eugene O'Neill's Long Day's Journey into Night as a catalyst for guided audience discussions about substance abuse and addiction as they affect individuals, families, caregivers, and communities. O’Neill’s play depicts the struggles of Mary Tyrone, a woman who abuses prescription painkillers and relapses into full-blown morphine addiction, and the impact this has on her family. This unique participatory event is intended to break down the stigma associated with addiction and promote healthy dialogue among diverse communities - public and professional - fostering compassion, cooperation, understanding, and positive action.
Featuring performances by Kathryn Erbe (Law & Order: Criminal Intent, Oz), Peter Francis James (The Rosa Parks Story, Godfather of Harlem), Alex Morf (Daredevil, Mr. Robot), and Marjolaine Goldsmith (Company Manager, Theater of War Productions).
Adapted, directed, and facilitated by Bryan Doerries.
About the play
-
Long Day's Journey Into Night by Eugene O'neill
Eugene O'Neill's Long Day's Journey into Night depicts the struggles of Mary Tyrone, a woman who abuses prescription painkillers and relapses into full-blown morphine addiction. It is also the story of how Mary's addiction rips her family apart, as her morphine use slowly becomes apparent to her husband and two sons, who struggle with alcohol abuse and addiction. It is widely believed that Long Day's Journey into Night is an autobiographical play, and that the troubled characters in it are based on members of O'Neill's own family, including his mother, Ella, who struggled with morphine addiction for most of her life. In his dedication of the play to his wife Carlotta, O'Neill states that it is a "play of old sorrow, written in tears and blood," and that he wrote it "with deep pity and understanding and forgiveness for all the four haunted Tyrones." O'Neill wrote the play for personal reasons, and the Addiction Performance Project present the plays to diverse audiences to elicit personal responses and candid discussion about addiction.
Cast Members
-
Kathryn Erbe
-
Peter Francis James
-
Alex Morf
-
Marjolaine Goldsmith
Explore Projects
-
Ethics & The Justice SystemTheater of Law
Developed with New York University’s Forum on Law, Culture, & Society, and designed as a professional development program for legal professionals, as well as for the general public, Theater of Law drives conversations about moral justice in the court system. The project is aimed at engaging audiences who have in some way been disenfranchised by the law in constructive, powerful dialogue.
-
Refugees & ImmigrationThe Suppliants Project
The Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges and impact of war, migration, and seeking asylum.
-
Racism & Social JusticeThe Drum Major Instinct
Commissioned by BRIC, The Drum Major Instinct engages audiences in dialogue about racism, inequality, and social justice. The performance features a dramatization of Dr. Martin Luther King Jr.’s final sermon, embodied by prominent actors and supported by a large gospel choir, composed of singers, activists, police officers, and musicians from St. Louis, MO, and Brooklyn, NY.