Open to Public / Digital Initiative
Antigone in Ferguson
Translated and Directed by Bryan Doerries
Music Composed By Phil Woodmore
Free Event
Please RSVP through the link provided. The event Zoom link will be distributed via email, and available to registered attendees starting 2 days prior to the event.
Fri, Oct 02.2020
Virtual Event
Antigone in Ferguson is a groundbreaking project that fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, from St. Louis, Missouri and New York City culminating in powerful, healing discussions about racialized violence, police brutality, systemic oppression, gender-based violence, health inequality, and social justice. The project was conceived in the wake of Michael Brown’s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, MO, and premiered at Normandy High School, Michael Brown’s alma mater, in September of 2016, and has since toured the country and the world.
In light of the uprising and protests catalyzed by the killings of Ahmaud Arbery, Breonna Taylor, George Floyd, Tony McDade, Dion Johnson, and many others; and the disproportionate impact of the COVID-19 pandemic on black and brown communities, Antigone in Ferguson aims to generate dialogue, consciousness, compassion, outrage, understanding, and positive action at this critical moment. This special presentation of Antigone in Ferguson on Zoom will foreground the perspectives of people in Baltimore, Maryland whose lives have been impacted by police brutality, community violence, and the COVID-19 pandemic.
Co-presented by Theater of War Productions, Harvard University, Duke University, Georgetown University, Pomona College, Smith College, Claremont McKenna College, Scripps College, Emory University, and University of Cincinnati,
This event will engage students, and is open to the public.
About the play
-
Antigone by Sophocles
Sophocles’ Antigone is an ancient play about a teenage girl who wishes to bury her brother, Polyneices, who recently died in a brutal civil war. Creon, the new, untested king, has ruled that Polyneices’ body must remain above the earth, and that anyone who breaks this law will be put to death. Antigone openly and intentionally defies his edict, covering her brother’s body with dirt and publicly declaring her allegiance to a higher law, one that transcends that of the state—the law of love. Creon is then forced, by his own political rhetoric, and the by fragile social order that he has barely begun to establish since the civil war, to make an example of his niece, by sentencing her to death. In the process of following through with his own decree, Creon loses everything. At its core, Antigone is a play about what happens when personal conviction and state law clash, raising the question: When everyone is right (or feels justified), how do we avert the violence that will inevitably take place?
Cast Members
-
Tracie Thoms
Antigone
-
Jumaane Williams
Messenger
-
Willie Woodmore
Tiresias
-
Marjolaine Goldsmith
Ismene
-
Nyasha Hatendi
Haemon
-
Jason Isaacs
Creon
Press Coverage
Explore Projects
-
War & Mental HealthTheater of War: Hector, Andromache, and the Death of Astyanax
Theater of War: Hector, Andromache, and the Death of Astyanax presents live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians. The project uses ancient texts that explore and depict the dehumanization of war to create a vocabulary for openly discussing challenging and divisive subjects, with the aim of generating compassion, empathy, moral repair, understanding, and positive action.
-
Pandemic & Climate CrisisThe Oedipus Project
The Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.
-
IncarcerationPrometheus in Prison
Prometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade years, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.