Open to Public
A REFUTATION - West Baltimore
Free Event
A REFUTATION presents dramatic readings by acclaimed actors of excerpts from two conflicting historic accounts of Philadelphia’s 1793 yellow fever epidemic as a catalyst for guided audience discussions about health inequities in America today, grounded in the perspectives of nurses, caregivers, and first responders.
Featuring pamphlets, letters, and rebuttals by Absalom Jones, Richard Allen, Matthew Carey, and Benjamin Rush, performed by Chad Coleman (The Wire, The Orville, The Walking Dead), Seth Gilliam (The Wire, The Walking Dead, Oz), Bill Camp (Presumed Innocent, 12 Years a Slave, The Queen’s Gambit), and Peter Marks (former Chief Theater Critic of the Washington Post).
A REFUTATION was developed with generous support from The Greenwall Foundation in celebration of its 75th anniversary.
Presented by Theater of War Productions, Union Memorial United Methodist Church, Ebenezer United Methodist Church - Capitol Hill, and the Johns Hopkins Center for Medical Humanities and Social Medicine.
Directed, adapted, and facilitated by Bryan Doerries.
This free, public, live, hybrid event will take place on Zoom Webinar, broadcast from Union Memorial United Methodist Church. In person registration does not guarantee you a seat. Please arrive by 7:30pm. If you choose to join us online, this event can be accessed on personal devices. The event Zoom link will be distributed via email and available to registered attendees starting two days prior to the event. This event will be Captioned in English on Zoom.
All of Theater of War Productions' events follow the same format:
- The performers will read the texts.
- Community panelists will kick off the discussion with their gut responses to what resonated with them across time.
- We will open the discussion to the audience, facilitated by Bryan Doerries. To participate in the discussion online, please raise your hand using the button at the bottom center of the screen. If called upon, please accept the invitation to be promoted to speak and you will be visible and heard by the entire audience for the duration of your comments. If you would prefer not to be seen, please disable your video.
About the plays
-
A Narrative of the Proceedings of the Black People, During the Late Awful Calamity in Philadelphia, in the Year 1793, and A REFUTATION of Some Censures, Thrown upon Them in Some Late Publications by Absalom Jones (1746 – 1818) and Richard Allen (1760 – 1831)
A Narrative of the Proceedings of the Black People, During the Late Awful Calamity in Philadelphia, in the Year 1793, and A REFUTATION of Some Censures, Thrown upon Them in Some Late Publications, by Absalom Jones (1746 – 1818) and Richard Allen (1760 – 1831), highly distinguished civic and religious leaders from Philadelphia’s free Black community, was the first publication by Black authors to receive a federal copyright in the United States. Both men were born into slavery, purchased their freedom, and rose to become the important leaders in the nation’s largest free Black community. Jones was the nation’s first Black Episcopal priest, and Allen founded Bethel Church, the oldest African Methodist Episcopal congregation in the nation. Their pamphlet is the only depiction of the 1793 yellow fever epidemic that foregrounds the perspectives and experiences of Black people and the first known text to express Black community anger and directly challenge accusations and libelous statements by a white author. It had a print run of 250-500 copies.
-
A Short Account of the Malignant Fever, Lately Prevalent in Philadelphia, With a Statement of the Proceedings That Took Place on the Subject in Different Parts of the United States by Matthew Carey (1760 -1839)
A Short Account of the Malignant Fever, Lately Prevalent in Philadelphia, With a Statement of the Proceedings That Took Place on the Subject in Different Parts of the United States, by Matthew Carey (1760 -1839), an Irish immigrant and the nation’s most preeminent publisher at the time, was a runaway success. Roughly 10,000 copies of the pamphlet were sold in four editions over the span of two months. The pamphlet made distorted, racist claims about Black nurses, care givers, and first responders during the height of the epidemic, prompting Absalom Jones and Richard Allen to publish a rebuttal seven weeks after its first print run.
Cast Members
-
Seth Gilliam
-
Bill Camp
-
Chad Coleman
-
Peter Marks
Event Partners
Explore Projects
-
Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
-
HomelessnessThe Oedipus at Colonus ProjectThe Oedipus at Colonus Project presents readings of scenes from Sophocles’ final play, Oedipus at Colonus, as catalyst for powerful, community-driven conversations about homelessness, the immigration and refugee crisis, and the challenges of eldercare during and after the pandemic.
-
RacismAntigone in SavannahDramatic readings of Sophocles’ Antigone with live music to frame powerful dialogue about honoring the dead and healing historical wounds.