Open to Public
Theater of War: University of Mississippi
Free Event
Please RSVP through the link provided. The event Zoom link will be distributed via email, and available to registered attendees starting 2 days prior to the event.
Thu, Nov 11.2021
Virtual Event
Theater of war is an innovative public health project that presents readings of scenes from Sophocles’ Philoctetes—an ancient Greek play about a decorated warrior who is abandoned on a deserted island because of mysterious chronic illness that he contracts on the way to the Trojan War—as a catalyst for guided discussions about the challenges faced by service members, veterans, and their families. Using Sophocles’ play to forge a common vocabulary for openly discussing the visible and invisible wounds of war, these events are aimed at generating compassion and understanding between diverse audiences.
This event is presented by the University of Mississippi and is open to the public. Co-hosted by the University of Mississippi Department of Classics and the Office of Veteran and Military Service, with generous support from a Visit Oxford Partnership grant, and from the UM Office of the Provost, the Division of Student Affairs, the Office of Research and Supported Programs, the Division of Community Engagement, the Sally McDonnell Barksdale Honors College, the University Lecture Series, the Lott Leadership Institute, the College of Liberal Arts, and the following units of the College: the Departments of Theatre and Film, Public Policy Leadership, Philosophy and Religion, Political Science, Sociology and Anthropology, English, and History, and the Center for the Study of Southern Culture.
About the play
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Philoctetes by Sophocles
Sophocles’ Philoctetes tells the story of decorated warrior who is abandoned on a deserted island because of mysterious chronic illness that he contracts on the way to the Trojan War. Nine years later, the Greeks learn from an oracle that in order to win the war they must rescue him from the island. When they finally come for him, the wounded warrior must overcome nine long years of festering resentment and shame in order to accept help from the very men who betrayed him.
Cast Members
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David Denman
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Marjolaine Goldsmith
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David Patrick Kelly
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Nyasha Hatendi
Event Partner
Explore Projects
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Pandemic & Climate CrisisThe Oedipus ProjectThe Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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RacismMothers of The MovementA conversation with Gwen Carr—mother of Eric Garner, author of This Stops Today—and Valerie Bell—mother of Sean Bell, author of Just 23—about their tireless work as Mothers of the Movement to end police violence.