Open to Public
Theater of War: Institute for Veterans and Military Families at Syracuse University
Tue, Dec 07.2021
On the Radio!
About the play
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Ajax by Sophocles
Sophocles’ Ajax tells the story of a fierce warrior who is passed over for recognition by his command after losing his cousin Achilles in battle during the Trojan War. Feeling betrayed, Ajax attempts to murder his superior officers, fails, and—ultimately—takes his own life. The play tells the story of the events leading up to Ajax’ suicide, as well as the story of his wife and troops’ attempt to intervene before it's too late. The play also depicts the devastating impact of Ajax’ suicide upon his wife, son, brother, troops, and chain of command.
Explore Projects
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Addiction & Substance AbuseAddiction Performance ProjectDesigned to raise awareness about opiate addiction and alcohol abuse, the project is intended to promote dialogue about helping those who are struggling with addiction.
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Caregiving & DeathKing Lear ProjectThe King Lear Project presents streamlined readings of scenes from Shakespeare’s King Lear to engage diverse audiences—including older adults, caregivers, and family members—in open, healing, constructive, discussions about the challenges of aging, dementia, and caring for friends and loved ones.
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Pandemic & Climate CrisisAn Enemy of The PeopleAn Enemy of the People presents acclaimed actors, public health leaders, scientists, journalists, elected officials, and local community members performing dramatic readings of scenes from Henrik Ibsen’s 1882 play An Enemy of the People to help frame powerful, guided audience discussions aimed at generating connection, understanding, compassion, moral repair, and much-needed healing. The play tells the story of a doctor who discovers the water supply in his small, rural town has been poisoned by a tannery. Despite his efforts to convey the truth to the public, the doctor fails to save his community from environmental disaster and is ultimately scapegoated for his whistleblowing. An Enemy of the People was first performed in Norway in 1882, and yet it speaks to the present moment as if it were written for our times — to the corrosive influence of power and money in politics, the distortions of the media, and the many other challenges to public health in our culture today, especially during times of crisis.