Invitation Only
Theater of War: Ajax - UK
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Theater of War is a groundbreaking project that presents acclaimed actors and Veterans performing scenes from Sophocles’ Ajax—an ancient play about the suicide of a great, respected warrior—as a catalyst for guided audience discussions about the visible and invisible wounds of war. Using Sophocles’ play to forge a common vocabulary for open dialogue, these events are aimed at generating compassion and understanding between diverse audiences. Each performance is followed by community panelist remarks and a facilitated audience discussion.
Featuring performances by Damian Lewis (Billions), Lesley Sharp (Scott & Bailey), Nick Holder (Peaky Blinders), David Elliot (Kilo Two Bravo), Marjolaine Goldsmith (Dress), and Eduardo Jany (US Marine Corps Veteran, SVP of Global Safety and Security at News Corp), and a Chorus of UK Armed Forces Veterans.
Presented by Theater of War Productions and News UK.
Directed, translated, and facilitated by Bryan Doerries.
About the play
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Ajax by Sophocles
Sophocles’ Ajax tells the story of a fierce warrior who is passed over for recognition by his command after losing his cousin Achilles in battle during the Trojan War. Feeling betrayed, Ajax attempts to murder his superior officers, fails, and—ultimately—takes his own life. The play tells the story of the events leading up to Ajax’ suicide, as well as the story of his wife and troops’ attempt to intervene before it's too late. The play also depicts the devastating impact of Ajax’ suicide upon his wife, son, brother, troops, and chain of command.
Cast Members
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Damian Lewis
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Lesley Sharp
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Nick Holder
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Marjolaine Goldsmith
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David Elliot
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Eduardo Jany
Explore Projects
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Pandemic & Climate CrisisThe Oedipus Project
The Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.
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