Open to Public / Theater Company In Residence
The Suppliants Project at Andrew Freedman Home
Free Event
Fri, Dec 13.2019
The Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges of the current immigration crisis and its impact upon all that it touches.
Featuring a chorus of Garifuna singers, musicians, and performers from Belize, Honduras, and Guatemala
Translated and Directed by Bryan Doerries
James Lovell: Music Director and Garifuna Translation
Alex Kwabena Colon-Olaniyan: Spanish Translation and Drummer
Paula Castillo: Lead Vocalist
Dorina Castillo: Organizer and Performer
Teese Gohl: Music Consultant
About the play
-
The Suppliants by Aeschylus
In Aeschylus’ ancient play The Suppliants, fifty women who are fleeing forced marriages travel from Egypt to Argos in order to ask King Pelasgus for asylum. At first, Pelasgus refuses to help them, but the Argive people rally behind the women and convince their king to allow the refugees to remain under the city’s protection. When a large group of Egyptian men arrive in Argos, demanding their women back, King Pelasgus threatens them and summons his army to drive them away. The play ends with the women retreating to safety and finding asylum within the walls of Argos.
Cast Members
-
David Zayas
Explore Projects
-
Pandemic & Climate CrisisThe Oedipus ProjectThe Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.
-
Racism & Social JusticeAntigone in SavannahDramatic readings of Sophocles’ Antigone with live music to frame powerful dialogue about honoring the dead and healing historical wounds.
-
Political ViolenceActs of ViolenceActs of Violence presents scenes from Seneca's Thyestes, a Roman tragedy that was written during the gruesome reign of Nero, as a catalyst for town hall discussions about the impact of political violence upon individuals, families, caregivers, health and human rights advocates, communities, and nations.