The Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges of the current immigration crisis and its impact upon all that it touches.
Featuring a chorus of Garifuna singers, musicians, and performers from Belize, Honduras, and Guatemala
Translated and Directed by Bryan Doerries
James Lovell: Music Director and Garifuna Translation
Alex Kwabena Colon-Olaniyan: Spanish Translation and Drummer
Paula Castillo: Lead Vocalist
Dorina Castillo: Organizer and Performer
Teese Gohl: Music Consultant
About the play
The Suppliants by Aeschylus
In Aeschylus’ ancient play The Suppliants, fifty women who are fleeing forced marriages travel from Egypt to Argos in order to ask King Pelasgus for asylum. At first, Pelasgus refuses to help them, but the Argive people rally behind the women and convince their king to allow the refugees to remain under the city’s protection. When a large group of Egyptian men arrive in Argos, demanding their women back, King Pelasgus threatens them and summons his army to drive them away. The play ends with the women retreating to safety and finding asylum within the walls of Argos.
Racism & Social JusticeThe Drum Major Instinct
Commissioned by BRIC, The Drum Major Instinct engages audiences in dialogue about racism, inequality, and social justice. The performance features a dramatization of Dr. Martin Luther King Jr.’s final sermon, embodied by prominent actors and supported by a large gospel choir, composed of singers, activists, police officers, and musicians from St. Louis, MO, and Brooklyn, NY.
Caregiving & DeathEnd of Life
End of Life presents readings of ancient Greek plays in public settings and medical communities as a catalyst for facilitated discussions about challenges faced by patients, families, and health professionals today around end of life care. This unique, participatory event is intended to promote powerful, open discussion among diverse communities - public and professional - fostering compassion, cooperation, and understanding about living with chronic suffering and the mortality we all share.
Medea timelessly depicts how scorned passion can lead to revenge and, sometimes, unthinkable violence. This project, which premiered at the Brooklyn Academy of Music in June 2016, delves into under-discussed mental health issues that affect women and their families.