About the play
The Drum Major Instinct by Dr. Martin Luther King Jr.
On February 4, 1968, Martin Luther King, Jr. delivered this sermon at the Ebenezer Baptist Church in Atlanta, GA. In it, King speaks to his congregation about the destructive forces of “the drum major instinct,” defined as the desire to be first, to be recognized, and to receive distinction. This instinct, according to King, leads to “the most tragic expressions of man's inhumanity to man,” including white supremacy, violence, consumerism, and unjust wars. King challenges his congregants and the world to harness this “drum major instinct” for good, to be first in love, first in righteousness, first in generosity, first in justice, and above all, first in service to others.
Natural DisasterThe Tohoku Project
The Tohoku Project: Sumidagawa presents powerful dramatic readings by professional actors of Sumidagawa, a Noh play from the early 15th Century that timelessly depicts the unique challenges faced by parents in the wake of unimaginable disaster. Each reading is followed by the responses of community panelists, culminating in a lively, facilitated audience discussion. This interactive event promotes healthy, constructive dialogue about the lasting impact of the Tohoku disaster upon individuals, families, and communities—fostering compassion, understanding, awareness, and positive action.
Refugees & ImmigrationThe Suppliants Project
The Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges of the current immigration crisis and its impact upon all that it touches.
Featuring a chorus of Garifuna singers, musicians, and performers from Belize, Honduras, and Guatemala
Consent & Sexual ViolenceTape
Tape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.