Open to Public
Job in Rockaway
Tue, Oct 29.2013
About the play
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The Book of Job by Translated by Stephen Mitchell
The Book of Job is an ancient Hebrew poem that timelessly explores how humans behave when bad things happen to good people. At the beginning of the poem, Job, a righteous and prosperous man, is tested by God. In the span of one day, he loses everything—his children, his crops, his livestock, his house, and his health. Convinced of his own innocence, Job sits silently in the dirt behind what's left of his home and asks God for an explanation. But God doesn't answer. Job is visited by a group of friends who, at first, sympathize with his suffering, but when Job begins to question why he has been singled out and made to suffer, they condemn his behavior and accuse him of having done something to deserve his terrible fate. In spite of these accusations, Job clings to the belief that he has done nothing wrong and continues to shake his fists at the sky in righteous indignation. At the very end of the poem, God reveals himself to Job as a disembodied voice within a whirlwind and rebukes him for presuming to understand His will. Job covers his mouth and falls silent, and—in an enigmatic ending—God restores his health and prosperity, doubling his children, his livestock, and his crops.
Explore Projects
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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