Open to Public
Emerson College
About the play
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Long Day's Journey Into Night by Eugene O'neill
Eugene O'Neill's Long Day's Journey into Night depicts the struggles of Mary Tyrone, a woman who abuses prescription painkillers and relapses into full-blown morphine addiction. It is also the story of how Mary's addiction rips her family apart, as her morphine use slowly becomes apparent to her husband and two sons, who struggle with alcohol abuse and addiction. It is widely believed that Long Day's Journey into Night is an autobiographical play, and that the troubled characters in it are based on members of O'Neill's own family, including his mother, Ella, who struggled with morphine addiction for most of her life. In his dedication of the play to his wife Carlotta, O'Neill states that it is a "play of old sorrow, written in tears and blood," and that he wrote it "with deep pity and understanding and forgiveness for all the four haunted Tyrones." O'Neill wrote the play for personal reasons, and the Addiction Performance Project present the plays to diverse audiences to elicit personal responses and candid discussion about addiction.
Explore Projects
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Ethics & The Justice SystemTheater of LawDeveloped with New York University’s Forum on Law, Culture, & Society, and designed as a professional development program for legal professionals, as well as for the general public, Theater of Law drives conversations about moral justice in the court system. The project is aimed at engaging audiences who have in some way been disenfranchised by the law in constructive, powerful dialogue.
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Political ViolenceActs of ViolenceActs of Violence presents scenes from Seneca's Thyestes, a Roman tragedy that was written during the gruesome reign of Nero, as a catalyst for town hall discussions about the impact of political violence upon individuals, families, caregivers, health and human rights advocates, communities, and nations.
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Consent & Sexual ViolenceTapeTape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.