Open to Public
Antigone in Ferguson at University of Maryland
Translated and Directed by Bryan Doerries
Music Composed By Phil Woodmore
About the play
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Antigone by Sophocles
Sophocles’ Antigone is an ancient play about a teenage girl who wishes to bury her brother, Polyneices, who recently died in a brutal civil war. Creon, the new, untested king, has ruled that Polyneices’ body must remain above the earth, and that anyone who breaks this law will be put to death. Antigone openly and intentionally defies his edict, covering her brother’s body with dirt and publicly declaring her allegiance to a higher law, one that transcends that of the state—the law of love. Creon is then forced, by his own political rhetoric, and the by fragile social order that he has barely begun to establish since the civil war, to make an example of his niece, by sentencing her to death. In the process of following through with his own decree, Creon loses everything. At its core, Antigone is a play about what happens when personal conviction and state law clash, raising the question: When everyone is right (or feels justified), how do we avert the violence that will inevitably take place?
Cast Members
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Chinaza Uche
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Josh Hamilton
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Tracie Thoms
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Marjolaine Goldsmith
Explore Projects
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Consent & Sexual ViolenceTape
Tape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.
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Racism & Social JusticeMothers of The Movement
A conversation with Gwen Carr—mother of Eric Garner, author of This Stops Today—and Valerie Bell—mother of Sean Bell, author of Just 23—about their tireless work as Mothers of the Movement to end police violence.
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Pandemic & Climate CrisisThe Oedipus Project
The Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.