Open to Public
Addiction Performance Project / St. Louis University Student Center
About the play
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Long Day's Journey Into Night by Eugene O'neill
Eugene O'Neill's Long Day's Journey into Night depicts the struggles of Mary Tyrone, a woman who abuses prescription painkillers and relapses into full-blown morphine addiction. It is also the story of how Mary's addiction rips her family apart, as her morphine use slowly becomes apparent to her husband and two sons, who struggle with alcohol abuse and addiction. It is widely believed that Long Day's Journey into Night is an autobiographical play, and that the troubled characters in it are based on members of O'Neill's own family, including his mother, Ella, who struggled with morphine addiction for most of her life. In his dedication of the play to his wife Carlotta, O'Neill states that it is a "play of old sorrow, written in tears and blood," and that he wrote it "with deep pity and understanding and forgiveness for all the four haunted Tyrones." O'Neill wrote the play for personal reasons, and the Addiction Performance Project present the plays to diverse audiences to elicit personal responses and candid discussion about addiction.
Explore Projects
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War & Mental HealthThe Tecmessa Project
The Tecmessa Project presents readings of Sophocles’s Ajax, an ancient play about the visible and invisible wounds of war, as the catalyst for discussions focusing on the unique challenges faced by military family members, including couples, children, caregivers, and communities. This project is designed to promote understanding, compassion, and positive action.
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Domestic ViolencePatient and Impatient Griselda
Theater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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Racism & Social JusticeFrederick Douglass
Frederick Douglass is a project that presents dramatic readings of Douglass' speeches by professional actors as a catalyst for powerful dialogue about racism, inequality, civil rights, education, and the legal system with the objective of fostering compassion, understanding, and positive action.