Invitation Only
Theater of War: Hector, Andromache, and the Death of Astyanax
Translated, directed, and facilitated Bryan Doerries
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Tue, Feb 27.2024
Theater of War: Hector, Andromache, and the Death of Astyanax will present live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of Columbia students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians.
Featuring performances by Jeffrey Wright (American Fiction), Lois Smith (The French Dispatch), Elizabeth Marvel (The Color Purple), and Glenn Davis (Billions; Artistic Director, Steppenwolf Theatre Company).
Translated, directed, and facilitated by Bryan Doerries
Co-presented by Theater of War Productions and the Columbia College Center for the Core Curriculum.
This event is open to Columbia College, Columbia Engineering, and Columbia General Studies undergraduate students, and invited guests.
About the plays
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The Trojan Women by Euripides
The selected scenes from Euripides’ Trojan Women take place at the end of the Trojan War, after Hector has been slain and Troy has been destroyed. Andromache and her son Astyanax are led through the ruins of the city on a wagon with Hector’s helmet and amour piled next to them. Andromache is being taken away by Achilles’ son Neoptolemus to live as his concubine and slave. The women of Troy, who have all lost their husbands in battle, mourn Andromache’s fate, as well as their own. Suddenly, a herald arrives and announces that the Greek army has decided to execute Astyanax by throwing him off the Trojan towers to prevent him from one day avenging his father’s death. Andromache says goodbye to her son before he is taken away and executed by Odysseus and she is taken from Troy on Neoptolemus’ ship. In the final scene, Astyanax’ body is brought to his grandmother Hecuba, the Queen of Troy, and the play ends with a funeral procession in which Astyanax is buried on his father’s shield while the remains of Troy are burned to ashes.
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Iliad, Book VI by Homer
The Trojan warrior Hector is confronted by his wife Andromache, who begs him not to return to the battlefield where she knows he will die. Hector explains the reasons he must leave her and their young son Astyanax to go back to battle and to his inevitable death. As he parts ways with his family, Hector reaches out to embrace his son, but Astyanax recoils in fear at the sight of his father’s helmet, which Hector removes before kissing and holding his son one last time.
Cast Members
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Jeffrey Wright
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Lois Smith
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Elizabeth Marvel
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Glenn Davis
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Marjolaine Goldsmith
Explore Projects
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War & Mental HealthTheater of War: Hector, Andromache, and the Death of Astyanax
Theater of War: Hector, Andromache, and the Death of Astyanax presents live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians. The project uses ancient texts that explore and depict the dehumanization of war to create a vocabulary for openly discussing challenging and divisive subjects, with the aim of generating compassion, empathy, moral repair, understanding, and positive action.
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Pandemic & Climate CrisisThe Oedipus Project
The Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.
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Caregiving & DeathKing Lear Project
The King Lear Project presents streamlined readings of scenes from Shakespeare’s King Lear to engage diverse audiences—including older adults, caregivers, and family members—in open, healing, constructive, discussions about the challenges of aging, dementia, and caring for friends and loved ones.