Invitation Only / Digital Initiative
Theater of War for Frontline Medical Providers
This event has ended.
View upcoming events.
Sun, May 24.2020
Virtual Event
Theater of War for Frontline Medical Providers is an innovative project that presents dramatic readings by acclaimed actors of scenes from Sophocles' Philoctetes and Women of Trachis to help nurses, doctors, medical students, first responders, and other heath care providers engage in healing, constructive discussions about the unique challenges and stressors of the COVID-19 pandemic. Using plays by Sophocles to create a vocabulary for discussing themes such as personal risk, death/dying, grief, deviation from standards of care, abandonment, helplessness, and complex ethical decisions, the project aims to foster connection, community, moral resilience, and positive action.
About the plays
-
Philoctetes by Sophocles
Sophocles’ Philoctetes tells the story of decorated warrior who is abandoned on a deserted island because of mysterious chronic illness that he contracts on the way to the Trojan War. Nine years later, the Greeks learn from an oracle that in order to win the war they must rescue him from the island. When they finally come for him, the wounded warrior must overcome nine long years of festering resentment and shame in order to accept help from the very men who betrayed him.
-
Women of Trachis by Sophocles
Sophocles’ Women of Trachis, tells the story of Heracles—the strongest of all Greek heroes—who has been unintentionally poisoned by his wife, Deineira, after she discovers that he has fallen in love with a younger woman. In an attempt to win back her husband’s affection mistakes a lethal toxin, which was given to her by a dying centaur years ago for a love potion. Deineira sends him a robe dipped in the liquid. When Heracles puts on the robe it immediately eats through his skin, muscle tissue, down through his bones to the marrow. Heracles falls to the ground, clutching his sides, crying out in pain, calling for his teenage son, Hyllus, to come to his aid and to help him put an end to the seemingly endless waves of pain.
Cast Members
-
Jesse Eisenberg
-
Frances McDormand
-
Frankie Faison
-
David Strathairn
Event Partners
Explore Projects
-
GenocideThe InvestigationTheater of War Productions and the Museum of Jewish Heritage, in partnership with the National Yiddish Theatre Folksbiene, present readings of scenes Peter Weiss' play The Investigation, a piece of documentary theater adapted from the Frankfurt Auschwitz Trials of 1963-1965. This project centers on guided discussions about mass murder and its lasting impact upon individuals, families, communities, and countries throughout the world. Performed by a diverse cast, including international performers from communities affected by genocide, The Investigation seeks to generate powerful dialogue across cultures and communities about the human capacity for evil, as well as the systems and hierarchies that create the conditions for unthinkable violence.
-
Political ViolenceActs of ViolenceActs of Violence presents scenes from Seneca's Thyestes, a Roman tragedy that was written during the gruesome reign of Nero, as a catalyst for town hall discussions about the impact of political violence upon individuals, families, caregivers, health and human rights advocates, communities, and nations.
-
Pandemic & Climate CrisisThe Oedipus ProjectThe Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global conversations about the climate crisis, ecological disaster, environmental justice, and healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.