The Suppliants Project: Ukraine presents live, dramatic readings of Aeschylus’ play The Suppliants on Zoom—featuring professional actors and a chorus of Ukrainian citizens—to help frame global discussions about the War in Ukraine and the unique challenges now faced by the people of Ukraine and those who support them. Using a 2,500-year-old text as catalyst for a powerful, international discussion, The Suppliants Project: Ukraine will amplify and humanize the voices and perspectives of Ukrainian citizens, refugees, soldiers, immigrants, politicians, activists, and artists who will participate in the performance and discussion on their personal devices on Zoom from locations within Ukraine and in neighboring countries.
The Suppliants is an ancient Greek play about a group of refugees who seek asylum in the city of Argos from forced marriage and violence. The play not only depicts the struggle of these refugees to cross a border into safety, but also the internal struggle within the country that ultimately receives them, as its citizens wrestle with how best to address the crisis at their border and whether to go to war on behalf of the refugees seeking their protection.
Featuring performances by Oscar Isaac (Star Wars), Willem Dafoe (Spider-Man), David Strathairn (Nomadland), and company members of the ProEnglish Theatre, Kyiv, Ukraine: Alina Zievakova, Anabell Ramirez, Daniil Prymachov, Kira Meschcherska, and Stanislav Galiant.
This event will be captioned in English and Ukrainian.
The event will be co-facilitated by Oksana Yakushko and Bryan Doerries.
Support for our digital programming is provided, in part, by the Mellon Foundation.
The Suppliants Project will take place on Zoom Webinar and can be accessed on personal devices. The event Zoom link will be distributed via email and available to registered attendees starting 2 days prior to the event.
All of Theater of War Productions' events follow the same format:
- The performers will read the text.
- Community panelists will kick off the discussion with their gut responses to what resonated with them across time
- We will open the discussion to the audience, facilitated by Bryan Doerries and Oksana Yakushko. During the discussion, please raise your hand using the button at the bottom center of the screen. If called upon, please accept the invitation to be promoted to speak and you will be visible and heard by the entire audience for the duration of your comments. If you would prefer not to be seen, please disable your video.
About the play
The Suppliants by Aeschylus
In Aeschylus’ ancient play The Suppliants, fifty women who are fleeing forced marriages travel from Egypt to Argos in order to ask King Pelasgus for asylum. At first, Pelasgus refuses to help them, but the Argive people rally behind the women and convince their king to allow the refugees to remain under the city’s protection. When a large group of Egyptian men arrive in Argos, demanding their women back, King Pelasgus threatens them and summons his army to drive them away. The play ends with the women retreating to safety and finding asylum within the walls of Argos.
Racism & Social JusticeFrederick Douglass
Frederick Douglass is a project that presents dramatic readings of Douglass' speeches by professional actors as a catalyst for powerful dialogue about racism, inequality, civil rights, education, and the legal system with the objective of fostering compassion, understanding, and positive action.
Drawing from an ancient Greek tragedy about a vicious act of violence committed by an angry man with an invincible weapon, this project aims to generate powerful dialogue between concerned citizens, members of the law enforcement community, victims and perpetrators of gun violence, and the general public.
Ethics & The Justice SystemTheater of Law
Developed with New York University’s Forum on Law, Culture, & Society, and designed as a professional development program for legal professionals, as well as for the general public, Theater of Law drives conversations about moral justice in the court system. The project is aimed at engaging audiences who have in some way been disenfranchised by the law in constructive, powerful dialogue.