Open to Public
The Suppliants Project at Valencia College
About the play
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The Suppliants by Aeschylus
In Aeschylus’ ancient play The Suppliants, fifty women who are fleeing forced marriages travel from Egypt to Argos in order to ask King Pelasgus for asylum. At first, Pelasgus refuses to help them, but the Argive people rally behind the women and convince their king to allow the refugees to remain under the city’s protection. When a large group of Egyptian men arrive in Argos, demanding their women back, King Pelasgus threatens them and summons his army to drive them away. The play ends with the women retreating to safety and finding asylum within the walls of Argos.
Explore Projects
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Refugees & ImmigrationThe Suppliants Project
The Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges and impact of war, migration, and seeking asylum.
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Racism & Social JusticeA REFUTATION
A REFUTATION presents dramatic readings by acclaimed actors of excerpts from two conflicting historic accounts of Philadelphia’s 1793 yellow fever epidemic as a catalyst for guided audience discussions about health inequities in America today, grounded in the perspectives of nurses, caregivers, and first responders.
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War & Mental HealthTheater of War: Hector, Andromache, and the Death of Astyanax
Theater of War: Hector, Andromache, and the Death of Astyanax presents live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians. The project uses ancient texts that explore and depict the dehumanization of war to create a vocabulary for openly discussing challenging and divisive subjects, with the aim of generating compassion, empathy, moral repair, understanding, and positive action.