Open to Public
The Suppliants Project at Valencia College
About the play
-
The Suppliants by Aeschylus
In Aeschylus’ ancient play The Suppliants, fifty women who are fleeing forced marriages travel from Egypt to Argos in order to ask King Pelasgus for asylum. At first, Pelasgus refuses to help them, but the Argive people rally behind the women and convince their king to allow the refugees to remain under the city’s protection. When a large group of Egyptian men arrive in Argos, demanding their women back, King Pelasgus threatens them and summons his army to drive them away. The play ends with the women retreating to safety and finding asylum within the walls of Argos.
Explore Projects
-
RacismFrederick DouglassFrederick Douglass is a project that presents dramatic readings of Douglass' speeches by professional actors as a catalyst for powerful dialogue about racism, inequality, civil rights, education, and the legal system with the objective of fostering compassion, understanding, and positive action.
-
Caregiving & DeathKing Lear ProjectThe King Lear Project presents streamlined readings of scenes from Shakespeare’s King Lear to engage diverse audiences—including older adults, caregivers, and family members—in open, healing, constructive, discussions about the challenges of aging, dementia, and caring for friends and loved ones.
-
Pandemic & Climate CrisisAn Enemy of The PeopleAn Enemy of the People presents acclaimed actors, public health leaders, scientists, journalists, elected officials, and local community members performing dramatic readings of scenes from Henrik Ibsen’s 1882 play An Enemy of the People to help frame powerful, guided audience discussions aimed at generating connection, understanding, compassion, moral repair, and much-needed healing. The play tells the story of a doctor who discovers the water supply in his small, rural town has been poisoned by a tannery. Despite his efforts to convey the truth to the public, the doctor fails to save his community from environmental disaster and is ultimately scapegoated for his whistleblowing. An Enemy of the People was first performed in Norway in 1882, and yet it speaks to the present moment as if it were written for our times — to the corrosive influence of power and money in politics, the distortions of the media, and the many other challenges to public health in our culture today, especially during times of crisis.