Open to Public
Soldiers & Citizens Tour: Texas A&M University
Thu, Oct 15.2015
About the plays
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Ajax by Sophocles
Sophocles’ Ajax tells the story of a fierce warrior who is passed over for recognition by his command after losing his cousin Achilles in battle during the Trojan War. Feeling betrayed, Ajax attempts to murder his superior officers, fails, and—ultimately—takes his own life. The play tells the story of the events leading up to Ajax’ suicide, as well as the story of his wife and troops’ attempt to intervene before it's too late. The play also depicts the devastating impact of Ajax’ suicide upon his wife, son, brother, troops, and chain of command.
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Philoctetes by Sophocles
Sophocles’ Philoctetes tells the story of decorated warrior who is abandoned on a deserted island because of mysterious chronic illness that he contracts on the way to the Trojan War. Nine years later, the Greeks learn from an oracle that in order to win the war they must rescue him from the island. When they finally come for him, the wounded warrior must overcome nine long years of festering resentment and shame in order to accept help from the very men who betrayed him.
Explore Projects
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Domestic ViolencePatient and Impatient Griselda
Theater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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Pandemic & Climate CrisisAn Enemy of The People
An Enemy of the People presents acclaimed actors, public health leaders, scientists, journalists, elected officials, and local community members performing dramatic readings of scenes from Henrik Ibsen’s 1882 play An Enemy of the People to help frame powerful, guided audience discussions aimed at generating connection, understanding, compassion, moral repair, and much-needed healing. The play tells the story of a doctor who discovers the water supply in his small, rural town has been poisoned by a tannery. Despite his efforts to convey the truth to the public, the doctor fails to save his community from environmental disaster and is ultimately scapegoated for his whistleblowing. An Enemy of the People was first performed in Norway in 1882, and yet it speaks to the present moment as if it were written for our times — to the corrosive influence of power and money in politics, the distortions of the media, and the many other challenges to public health in our culture today, especially during times of crisis.
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War & Mental HealthTheater of War: Hector, Andromache, and the Death of Astyanax
Theater of War: Hector, Andromache, and the Death of Astyanax presents live, dramatic readings of selections from Homer’s Iliad, Book VI and scenes from The Trojan Women by Euripides—featuring acclaimed actors and a Chorus of students, from a variety of backgrounds, whose lives have been impacted by war—to help frame powerful, healing dialogue about the human cost of war, centered on the suffering of children and civilians. The project uses ancient texts that explore and depict the dehumanization of war to create a vocabulary for openly discussing challenging and divisive subjects, with the aim of generating compassion, empathy, moral repair, understanding, and positive action.