Invitation Only / New York City Public Artist In Residence 2017 – 2018
About the play
Prometheus Bound by Aeschylus
Aeschylus’ Prometheus Bound is a play about a god who is imprisoned for stealing fire from the gods and giving it to humans. The incarcerated Prometheus admits that he willfully committed a crime and is sentenced for his actions. He is placed in extreme isolation at the end of the earth for the rest of time. Over the course of the play, Prometheus is visited by a number of characters, including friends and family. Each of these characters attempts to impart advice upon Prometheus about how he can lessen his sentence and increase his chances of being released. Increasingly enraged by each exchange, Prometheus, over the course of the play, shuts down, refusing to accept help or advice from anyone, and spends the final moments of the play shaking his fist at the sky, willfully provoking a far worse punishment than isolation.
Drawing from an ancient Greek tragedy about a vicious act of violence committed by an angry man with an invincible weapon, this project aims to generate powerful dialogue between concerned citizens, members of the law enforcement community, victims and perpetrators of gun violence, and the general public.
Consent & Sexual ViolenceTape
Tape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.
Racism & Social JusticeThe Drum Major Instinct
Commissioned by BRIC, The Drum Major Instinct engages audiences in dialogue about racism, inequality, and social justice. The performance features a dramatization of Dr. Martin Luther King Jr.’s final sermon, embodied by prominent actors and supported by a large gospel choir, composed of singers, activists, police officers, and musicians from St. Louis, MO, and Brooklyn, NY.