Open to Public
Oedipus at Colonus
About the play
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Oedipus at Colonus by Sophocles
After years of wandering in exile, without shelter or protection, the blind, elderly beggar Oedipus stumbles upon the sacred grove of the Furies on the outskirts of Athens in an area called Colonus, with his daughter Antigone by his side. Upon discovering where they are, Oedipus reveals that an oracle has foretold he will finally find refuge and rest in Colonus, and Oedipus’ body—after he is dead—will protect the city that houses it for all time. No longer the polluted and banished man, whose very presence brings bad fortune to anyone who comes in contact with him, over the course of the play, Oedipus transforms into a holy suppliant, sacred to the gods, bestowing gifts upon those who show him compassion and mercy. Oedipus at Colonus interrogates the impulse to exile, warehouse, and dehumanize people seeking shelter, asylum, and protection, and explores why showing reverence and respect for the less fortunate always makes communities stronger.
Cast Members
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Taylor Schilling
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Bill Camp
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Frankie Faison
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Marjolaine Goldsmith
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David Strathairn
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David Denman
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Jon Tazewell
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Matthew T. Starr
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Lars Hanson
Event Partner
Explore Projects
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HomelessnessThe Oedipus at Colonus ProjectThe Oedipus at Colonus Project presents readings of scenes from Sophocles’ final play, Oedipus at Colonus, as catalyst for powerful, community-driven conversations about homelessness, the immigration and refugee crisis, and the challenges of eldercare during and after the pandemic.
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IncarcerationPrometheus in PrisonPrometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade years, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.