Open to Public / New York City Public Artist In Residence
Hercules in Queens
Thu, Jul 20.2017
About the play
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Madness of Hercules by Euripides
When the Greek hero Hercules returns to Thebes and finds his home occupied by a local tyrant, he goes on a rampage with his invincible bow, killing the men who have invaded his house and taken his family hostage. But in the heat of the battle, Hercules enters into a berserk rage and kills everyone in sight, including his wife and two young children, with his powerful weapon, mistaking them for enemies. When he comes back to his senses and takes in the horror of what he has done, Hercules contemplates suicide, but his close friend and fellow war veteran Theseus, stays by his side and offers unconditional support, encouraging him to share the burden of what he has done with his community. At its core, Euripides’ Madness of Hercules asks profound questions about how we should respond to unthinkable violence—as citizens, family members, friends, and neighbors—and how we can all work together to stop violence from occurring in our communities, before it’s too late.
Cast Members
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Jumaane Williams
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Kathryn Erbe
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Frankie Faison
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David Patrick Kelly
Explore Projects
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War & Mental HealthThe Tecmessa ProjectThe Tecmessa Project presents readings of Sophocles’s Ajax, an ancient play about the visible and invisible wounds of war, as the catalyst for discussions focusing on the unique challenges faced by military family members, including couples, children, caregivers, and communities. This project is designed to promote understanding, compassion, and positive action.
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Domestic ViolenceDomestic Violence ProjectAddressing the impact of domestic violence on individuals, families, and communities, the Domestic Violence Project premiered in Maine in April 2013 and will be touring all five boroughs of New York City under the current PAIR residency.
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Consent & Sexual ViolenceTapeTape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.