Open to Public
Hercules in Bayview-Hunter's Point
Thu, Apr 27.2017
About the play
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Madness of Hercules by Euripides
When the Greek hero Hercules returns to Thebes and finds his home occupied by a local tyrant, he goes on a rampage with his invincible bow, killing the men who have invaded his house and taken his family hostage. But in the heat of the battle, Hercules enters into a berserk rage and kills everyone in sight, including his wife and two young children, with his powerful weapon, mistaking them for enemies. When he comes back to his senses and takes in the horror of what he has done, Hercules contemplates suicide, but his close friend and fellow war veteran Theseus, stays by his side and offers unconditional support, encouraging him to share the burden of what he has done with his community. At its core, Euripides’ Madness of Hercules asks profound questions about how we should respond to unthinkable violence—as citizens, family members, friends, and neighbors—and how we can all work together to stop violence from occurring in our communities, before it’s too late.
Explore Projects
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Caregiving & DeathTheater of War FrontlineTheater of War Frontline is an innovative project—developed by Theater of War Productions, the Johns Hopkins Berman Institute of Bioethics and the Johns Hopkins Program in Arts, Humanities & Health—that presents dramatic readings by acclaimed actors of scenes from ancient Greek plays for audiences of frontline medical professionals to open up powerful dialogue about difficult subjects, fostering a sense of connection and promoting health-seeking behavior. By presenting ancient plays to doctors, nurses, EMTs, respiratory therapists, and the frontline community about emotionally-charged, ethically complex situations, Theater of War Frontline aims to create a brave space for open, candid dialogue and reflection, fostering compassion, a renewed sense of community, and positive action.
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Refugees & ImmigrationThe Suppliants ProjectThe Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges and impact of war, migration, and seeking asylum.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.