Open to Public / New York City Public Artist In Residence
Domestic Violence Project: Streetcar Named Desire
Thu, Feb 01.2018
About the play
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A Streetcar Named Desire by Tennessee Williams
The Domestic Violence Project presents scenes 3 and 4 from Tennessee Williams’ A Streetcar Named Desire, depicting the infamous poker night and its aftermath in Williams’ iconic American play: Stanley and the boys are up late playing poker in small apartment where he lives with his wife, Stella. When Stella and her sister Blanche arrive home, a violent altercation ensues, and when the drunken Stanley becomes violent, his friends are forced to pin him down while Stella retreats to a neighbor’s home. Stanley’s breaks down and begs Stella to come back to him, which she does. The next day Blanche confronts Stella over Stanley’s behavior and, much to her surprise, learns that Stella does not wish to leave Stanley.
Cast Members
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Chinasa Ogbuagu
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Adepero Oduye
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Ty Jones
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Rich Orlow
Explore Projects
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Addiction & Substance AbuseThe Dionysus ProjectThe Dionysus Project is an innovative public health project that presents readings of scenes from Euripides' Bacchae, an ancient Greek play about the destructive power of intoxication, as a catalyst for town hall discussions about the impact of substance abuse and addiction upon individuals, families, and communities. The project uses an ancient Greek tragedy, written nearly 2500 years ago, to engage audiences in crucial discussions about the timelessness of the human struggle with substance abuse and addiction, as well as resources and solutions that communities can utilize today.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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Refugees & ImmigrationThe Suppliants ProjectThe Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges and impact of war, migration, and seeking asylum.