Open to Public
Bryan Doerries PopTech Talk about Antigone in Ferguson Project
Translated and Directed by Bryan Doerries
Music Composed By Phil Woodmore
Thu, Oct 20.2016
About the play
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Antigone by Sophocles
Sophocles’ Antigone is an ancient play about a teenage girl who wishes to bury her brother, Polyneices, who recently died in a brutal civil war. Creon, the new, untested king, has ruled that Polyneices’ body must remain above the earth, and that anyone who breaks this law will be put to death. Antigone openly and intentionally defies his edict, covering her brother’s body with dirt and publicly declaring her allegiance to a higher law, one that transcends that of the state—the law of love. Creon is then forced, by his own political rhetoric, and the by fragile social order that he has barely begun to establish since the civil war, to make an example of his niece, by sentencing her to death. In the process of following through with his own decree, Creon loses everything. At its core, Antigone is a play about what happens when personal conviction and state law clash, raising the question: When everyone is right (or feels justified), how do we avert the violence that will inevitably take place?
Explore Projects
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Racialized Police ViolenceAntigone in FergusonAntigone in Ferguson is a groundbreaking project that fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, including activists, youth, teachers, police officers, and concerned citizens from St. Louis, Missouri and New York City, culminating in powerful, healing discussions about racialized violence, police brutality, systemic oppression, gender-based violence, health inequality, and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown’s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, MO, and premiered at Normandy High School, Michael Brown’s alma mater, in September of 2016.
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Caregiving & DeathTheater of War FrontlineTheater of War Frontline is an innovative project—developed by Theater of War Productions, the Johns Hopkins Berman Institute of Bioethics and the Johns Hopkins Program in Arts, Humanities & Health—that presents dramatic readings by acclaimed actors of scenes from ancient Greek plays for audiences of frontline medical professionals to open up powerful dialogue about difficult subjects, fostering a sense of connection and promoting health-seeking behavior. By presenting ancient plays to doctors, nurses, EMTs, respiratory therapists, and the frontline community about emotionally-charged, ethically complex situations, Theater of War Frontline aims to create a brave space for open, candid dialogue and reflection, fostering compassion, a renewed sense of community, and positive action.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.