Open to Public / Antigone in Ferguson at St. Ann & the Holy Trinity Church 2019
Antigone in Ferguson at St. Ann & the Holy Trinity Church
Fri, Jul 05.2019 7:00 PM - 9:30 PM
This innovative project fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral musicperformed by a choir of activists, police officers, youth, and concerned citizens from Ferguson and New York City. Each performance culminates in a powerful, audience-driven discussion of race and gender-based violence and social justice.
Featuring a rotating cast of actors, including; Amy Ryan, Chris Noth, Paul Giamatti, Jumaane Williams, Zach Grenier, Kathryn Erbe, Obi Abili, Linda Powell, Josh Hamilton, and David Strathairn.
With the following guest choirs:
Brooklyn Interdenominational Chorus
United Voices of Hope
Bethel Gospel Assembly
Songs of Solomon
This production is exclusively supported by the Stavros Niarchos Foundation.
About the play
Antigone by Sophocles
Sophocles’ Antigone is an ancient play about a teenage girl who wishes to bury her brother, Polyneices, who recently died in a brutal civil war. Creon, the new, untested king, has ruled that Polyneices’ body must remain above the earth, and that anyone who breaks this law will be put to death. Antigone openly and intentionally defies his edict, covering her brother’s body with dirt and publicly declaring her allegiance to a higher law, one that transcends that of the state—the law of love. Creon is then forced, by his own political rhetoric, and the by fragile social order that he has barely begun to establish since the civil war, to make an example of his niece, by sentencing her to death. In the process of following through with his own decree, Creon loses everything. At its core, Antigone is a play about what happens when personal conviction and state law clash, raising the question: When everyone is right (or feels justified), how do we avert the violence that will inevitably take place?
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Prometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade years, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.
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