This Thursday night at 8pm EST, we are joining forces again with WNYC to present a new, live show: Theater of War - On the Radio. Actors Julianne Moore, Sam Waterston and Daphne Rubin-Vega will be performing two pieces on the air: an article entitled “ICE’s Assault on a Minnesota School District,” written by Jessica Winter for The New Yorker, and Judge Fred Biery’s recent judicial opinion ordering the the immediate release of five-year-old Liam Ramos and his father from a detention facility in Texas. These texts will start a conversation with live call-in radio listeners about ICE and its impact on our schools and our children.
Tune in on Thursday, February 19, at 8pm EST on WNYC 93.9 FM or on WNYC.org to catch the live broadcast!
Cast Members
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Daphne Rubin-Vega
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Sam Waterston
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Julianne Moore
Explore Projects
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Refugees & ImmigrationThe Suppliants ProjectThe Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges and impact of war, migration, and seeking asylum.
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Domestic ViolenceMedeaMedea timelessly depicts how scorned passion can lead to revenge and, sometimes, unthinkable violence. This project, which premiered at the Brooklyn Academy of Music in June 2016, delves into under-discussed mental health issues that affect women and their families.
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Pandemic & Climate CrisisThe Oedipus ProjectThe Oedipus Project presents acclaimed actors reading scenes from Sophocles’ Oedipus the King as a catalyst for powerful, constructive, global discussions about the climate crisis, ecological disaster, ethical leadership, and environmental justice. Sophocles’ ancient play, first performed in 429 BC, just after the first wave of a plague that killed nearly one-third of the Athenian population, is a story of arrogant leadership, ignored prophecy, intergenerational curses, and a pestilence and ecological collapse that ravages the archaic city of Thebes. Seen through this lens, Oedipus the King appears to have been a powerful tool for helping Athenians communalize trauma and loss, while interrogating their own complicit role in the suffering, not just of those around them but of generations to come.