Open to Public
Theater of War: Hector, Andromache, and the Death of Astyanax: Kenyon
Translated, directed, and facilitated Bryan Doerries
Wed, Oct 16.2024
About the plays
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The Trojan Women by Euripides
The selected scenes from Euripides’ Trojan Women take place at the end of the Trojan War, after Hector has been slain and Troy has been destroyed. Andromache and her son Astyanax are led through the ruins of the city on a wagon with Hector’s helmet and amour piled next to them. Andromache is being taken away by Achilles’ son Neoptolemus to live as his concubine and slave. The women of Troy, who have all lost their husbands in battle, mourn Andromache’s fate, as well as their own. Suddenly, a herald arrives and announces that the Greek army has decided to execute Astyanax by throwing him off the Trojan towers to prevent him from one day avenging his father’s death. Andromache says goodbye to her son before he is taken away and executed by Odysseus and she is taken from Troy on Neoptolemus’ ship. In the final scene, Astyanax’ body is brought to his grandmother Hecuba, the Queen of Troy, and the play ends with a funeral procession in which Astyanax is buried on his father’s shield while the remains of Troy are burned to ashes.
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Iliad, Book VI by Homer
The Trojan warrior Hector is confronted by his wife Andromache, who begs him not to return to the battlefield where she knows he will die. Hector explains the reasons he must leave her and their young son Astyanax to go back to battle and to his inevitable death. As he parts ways with his family, Hector reaches out to embrace his son, but Astyanax recoils in fear at the sight of his father’s helmet, which Hector removes before kissing and holding his son one last time.
Cast Members
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Debra Winger
Explore Projects
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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Gun ViolenceHerculesDrawing from an ancient Greek tragedy about a vicious act of violence committed by an angry man with an invincible weapon, this project aims to generate powerful dialogue between concerned citizens, members of the law enforcement community, victims and perpetrators of gun violence, and the general public.
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RacismAntigone in SavannahDramatic readings of Sophocles’ Antigone with live music to frame powerful dialogue about honoring the dead and healing historical wounds.