About the play
The Bacchae by Euripides
First produced in 405 BC, Euripides' Bacchae tells the ancient story of the arrival of Dionysus, the god of wine and intoxication, in Greece. When Dionysus comes to the city of Thebes, he liberates the people from their homes, sending the citizens - dancing and drinking - into the hills. A young king, named Pentheus, tries to subdue the revelry and restore order to his city, waging an all-out war against the god. But when Pentheus first tastes the drug that has ravaged his city, he too succumbs to its power and is murdered by his own mother, in a deranged state of intoxication.
Police/Community RelationsAntigone in Ferguson
Antigone in Ferguson is a groundbreaking project that fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, including police officers, activists, youth, teachers, and concerned citizens from St. Louis, Missouri and New York City, culminating in powerful, healing discussions about race and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown’s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, MO, and premiered at Normandy High School, Michael Brown’s alma mater, in September of 2016.
CorrectionsPrometheus in Prison
Prometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade years, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.
Consent & Sexual ViolenceTape
Tape has been developed as a sexual assault awareness and prevention training program that uses dramatic readings of Stephen Belber’s 1999 play to ignite powerful discussions about consent, sexual assault, rape, and power dynamics.