About the play
The Bacchae by Euripides
First produced in 405 BC, Euripides' Bacchae tells the ancient story of the arrival of Dionysus, the god of wine and intoxication, in Greece. When Dionysus comes to the city of Thebes, he liberates the people from their homes, sending the citizens - dancing and drinking - into the hills. A young king, named Pentheus, tries to subdue the revelry and restore order to his city, waging an all-out war against the god. But when Pentheus first tastes the drug that has ravaged his city, he too succumbs to its power and is murdered by his own mother, in a deranged state of intoxication.
Political ViolenceActs of Violence
Acts of Violence presents scenes from Seneca's Thyestes, a Roman tragedy that was written during the gruesome reign of Nero, as a catalyst for town hall discussions about the impact of political violence upon individuals, families, caregivers, health and human rights advocates, communities, and nations.
Refugees & ImmigrationThe Suppliants Project
The Suppliants Project tells the timeless story of fifty female refugees seeking asylum at a border from forced marriage and domestic violence. The play not only depicts the struggle of these women to cross into safety, but also the internal struggle within the city that ultimately receives them. Using a 2,500-year-old tragedy by Aeschylus as a catalyst for powerful gatherings and crucial conversations, The Suppliants Project engages diverse audiences in humanizing, constructive dialogue about the challenges of the current immigration crisis and its impact upon all that it touches.
Featuring a chorus of Garifuna singers, musicians, and performers from Belize, Honduras, and Guatemala
Ethics & The Justice SystemTheater of Law
Developed with New York University’s Forum on Law, Culture, & Society, and designed as a professional development program for legal professionals, as well as for the general public, Theater of Law drives conversations about moral justice in the court system. The project is aimed at engaging audiences who have in some way been disenfranchised by the law in constructive, powerful dialogue.