Open to Public
Domestic Violence / Maine Humanities Council
Thu, Apr 18.2013
About the play
-
A Streetcar Named Desire by Tennessee Williams
The Domestic Violence Project presents scenes 3 and 4 from Tennessee Williams’ A Streetcar Named Desire, depicting the infamous poker night and its aftermath in Williams’ iconic American play: Stanley and the boys are up late playing poker in small apartment where he lives with his wife, Stella. When Stella and her sister Blanche arrive home, a violent altercation ensues, and when the drunken Stanley becomes violent, his friends are forced to pin him down while Stella retreats to a neighbor’s home. Stanley’s breaks down and begs Stella to come back to him, which she does. The next day Blanche confronts Stella over Stanley’s behavior and, much to her surprise, learns that Stella does not wish to leave Stanley.
Explore Projects
-
IncarcerationPrometheus in PrisonPrometheus in Prison is an innovative public health project that presents readings of Aeschylus’ Prometheus Bound, an ancient Greek play about god who is imprisoned for stealing fire and giving it to humans, as a catalyst for powerful discussions about the challenges faced by individuals, families, and communities whose lives have been touched by the criminal justice system. For the past decade years, this groundbreaking project has been used to open up healing dialogue in a variety of settings, including prisons, detention centers, and public venues throughout the country and the world.
-
Political ViolenceActs of ViolenceActs of Violence presents scenes from Seneca's Thyestes, a Roman tragedy that was written during the gruesome reign of Nero, as a catalyst for town hall discussions about the impact of political violence upon individuals, families, caregivers, health and human rights advocates, communities, and nations.
-
Racialized Police ViolenceAntigone in FergusonAntigone in Ferguson is a groundbreaking project that fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, including activists, youth, teachers, police officers, and concerned citizens from St. Louis, Missouri and New York City, culminating in powerful, healing discussions about racialized violence, police brutality, systemic oppression, gender-based violence, health inequality, and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown’s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, MO, and premiered at Normandy High School, Michael Brown’s alma mater, in September of 2016.