Open to Public
Domestic Violence / Maine Humanities Council
Thu, Apr 18.2013
About the play
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A Streetcar Named Desire by Tennessee Williams
The Domestic Violence Project presents scenes 3 and 4 from Tennessee Williams’ A Streetcar Named Desire, depicting the infamous poker night and its aftermath in Williams’ iconic American play: Stanley and the boys are up late playing poker in small apartment where he lives with his wife, Stella. When Stella and her sister Blanche arrive home, a violent altercation ensues, and when the drunken Stanley becomes violent, his friends are forced to pin him down while Stella retreats to a neighbor’s home. Stanley’s breaks down and begs Stella to come back to him, which she does. The next day Blanche confronts Stella over Stanley’s behavior and, much to her surprise, learns that Stella does not wish to leave Stanley.
Explore Projects
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GenocideThe InvestigationTheater of War Productions and the Museum of Jewish Heritage, in partnership with the National Yiddish Theatre Folksbiene, present readings of scenes Peter Weiss' play The Investigation, a piece of documentary theater adapted from the Frankfurt Auschwitz Trials of 1963-1965. This project centers on guided discussions about mass murder and its lasting impact upon individuals, families, communities, and countries throughout the world. Performed by a diverse cast, including international performers from communities affected by genocide, The Investigation seeks to generate powerful dialogue across cultures and communities about the human capacity for evil, as well as the systems and hierarchies that create the conditions for unthinkable violence.
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Domestic ViolencePatient and Impatient GriseldaTheater of War Productions and Margaret Atwood return to the Toronto International Festival of Authors with an exciting new collaboration exploring power and control, domestic violence, and family dynamics by way of two versions of the same story, one written by Giovanni Boccaccio in 1348 during the bubonic plague and the other by Atwood in 2020 during the Covid-19 pandemic. In Bocaccio’s version, a woman named Griselda remains in an abusive and controlling relationship, showing great patience and forbearance in the face of her husband’s sadism and cruelty. In Atwood’s version, Griselda takes matters in her own hands and, with the help of her sister, turns the tables on her husband.
This free, public event featured a live, dramatic reading of the “Patient Griselda” story from Boccaccio's Decameron by Jesse Eisenberg (The Social Network, Fleishman is in Trouble), Maev Beaty (Beau is Afraid, Mouthpiece), and Araya Mengesha (Tiny Pretty Things, Nobody). Then, in response, Margaret Atwood performed “Impatient Grisleda,” a story that is narrated to a group of humans in quarantine by an alien that looks like an octopus. The readings of both texts was followed by immediate responses by community panelists and culminated in a guided audience discussion, facilitated by Bryan Doerries (Artistic Director, Theater of War Productions).
Co-presented by Theater of War Productions and Toronto International Festival of Authors.
This hybrid presentation took place in person at the Toronto Harbourfront Centre Theatre and on Zoom Webinar on September 30, 2023.
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Political ViolenceActs of ViolenceActs of Violence presents scenes from Seneca's Thyestes, a Roman tragedy that was written during the gruesome reign of Nero, as a catalyst for town hall discussions about the impact of political violence upon individuals, families, caregivers, health and human rights advocates, communities, and nations.